Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. (Alan Sues was never one of my favorite actors, but he’s good in this in a shallow way.). A simple delivery mission goes awry when Doug and Linda find themselves held hostage by a pirate. This old man, Jason Foster, is dying Copyright © 2020 Chicken Dynasty | Site Design by Spica Creative. Ready Or Not's Le Domas family features similar characters who are vain, greedy, cowardly, and sadistic. Above and beyond, a true pleasure; re-watchable.

Stars Robert Keith, Milton Selzer. Notify me of follow-up comments by email. Subscribe to Senses of Cinema to receive news of our latest cinema journal.Enter your email address below: Credit for the genius of the original series of The Twilight Zone is routinely attributed to its droll, visionary chain-smoking architect Rod Serling – a 1950s equivalent of today’s Social Justice Warrior, who saw television fantasy as a vehicle for social commentary – and a select few of its hired fantasist scribes, among them Richard Matheson and Charles Beaumont.
Entertaining in parts – I mean, who doesn’t love seeing horrible people getting their just desserts. Cast: Robert Keith, Milton Selzer, Virginia Gregg, Brooke Hayward, Willis Bouchey, and Alan Sues. It's Mardi Gras time in New Orleans and he has one last request - for each of them to wear a carnival mask. Notice the slight laugh from Dr. Thorne in Jason’s first scene and Geoffrey’s smile when he goes to get the masks. The Twilight Zone Episode 145: The Masks April 15, 2018 2 Comments An old man on his deathbed forces members of his family to wear creepy masks until midnight.

Viewers with an eye for detail may likewise appreciate the physical attributes of Keith, whose raspy voice, skeletal visage, and emaciated body serve to outwardly reflect Jason’s impending death. It reminded me of Where is Everybody? For example, Jason's mask is a skull (the face of death), since he is still alive. This old man, Jason Foster, is dying. he says as he dies. “mask punishment.” The bully son, a cause of pain and suffering, definitely deserved it, but I’m not quite sure about the other three. This site uses Akismet to reduce spam. Removing the masks to reveal monster faces! They reluctantly concede and put on their masks. Learn how your comment data is processed. We don't have an article named Analysis/ … On the night of Mardi Gras, a wealthy old man named Jason Foster is attended by his physician, Dr. Sam Thorne, who warns him that his death is imminent. However, some credit is also due to the show’s neglected roster of directors. It originally aired on March 20, 1964 on CBS. As her film career waned, a television career beckoned. On the other hand, Ready Or Not's Le Bail assisted the Le Domas family in gaining their wealth through board games. It is Mardi Gras time in New Orleans. Once midnight strikes, the old man dies. Mardi Gras incident, the dramatis personae being four people who came to celebrate and in a sense let themselves go. He makes them all wear creepy masks (each representing a different vice) that they must not remove until midnight, otherwise they won’t get any inheritance money. Lupino worked on The Twilight Zone in both creative capacities: as an actress, she starred in the first-season episode “The Sixteen-Millimetre Shrine”, playing an ageing film star obsessed with watching her old work; and as a director (the only woman to direct on the show), she helmed the fifth-season episode “The Masks”, a “bizarre story of men, masquerades and masks” that Serling promised “will send you at least to a mirror … if it doesn’t send you to a psychiatrist”. The character of Jason should be commended for his sarcastic barbs, which, in addition to being quite humorous and extremely well-timed, offer subtle glimpses into the tainted souls of all four relatives.
He always seems to be adding a little more to the story, from the moment when he guides Doctor Thorne out (that little smile), to his little facial tics throughout, and his little “don’t touch me!” moment when he leaves the drawing room and moves out of the way of Geoffrey the butler. Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will leave the Earth. Come and geek out with us over at Off-topic messages belong in the About section. However, for Jason Foster, there is very little celebration, as he is close to death's door. These masks are no garden variety cardboard party masks, but monstrous visages selected to reflect the toxic interiors of their wearers: Wilfred’s mask shows his “greed, avarice, cruelty”; Emily’s reveals her as a “self-centred coward, a gutless flab”; the preening Paula’s exposes her “insolent hauteur [and] skin-deep vanity”; and Wilfred Jnr.’s is the “face of a dull, stupid clown”. Thank you so much for supporting Rogues Portal over the years. Explaining that an old Mardi Gras custom involves wearing a mask that is the opposite of one's true personality, Jason sarcastically gives one to each person: a sniveling coward for Emily, a miserable miser to Wilfred, a twisted buffoon to Wilfred Jr., and a self-obsessed narcissist to Paula. That also applies to the two Zones he appeared in. Except, when Ready Or Not's Easter egg to "The Masks" is taken into account, it reveals that the spirit was instead awaiting the ideal person to take down the Le Domas family. A page for describing Analysis: Twilight Zone S 5 E 145 The Masks. He dons a skull mask, saying that it represents death as opposed to his life. A one-stop shop for all things video games. When he chose the game of hide-and-seek for Grace, he did so because he felt that she could take them down once and for all, and deserved to be the one to do it. Click here to make a donation. When directors Matt Bettinelli-Olpin and Tyler Gillett chose to include the Easter egg, they covertly revealed the movie's ending and established the enduring importance of "The Masks" in the 21st century. Each of them have undesirable characteristics such as greed, vanity, and sadism.

They know Jason very well, and they clearly show far more respect for him than for his misbegotten family. While dying of old age, the wealthy Jason Foster (Robert Keith) hosts an unusual Mardi Gras party for his greedy relatives. He has been taken advantage of for his wealth, and left to wither away without them by his side. But the most interesting thing about The Masks is some of the chatter I’ve seen online, that maybe the old man was the real horrible person and that the family didn’t deserve their (permanent?) We've moved onto a new name, a new look, and a new site!

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